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Библиография

Книжные издания, монографии, каталоги

Alberti, Rafael. A Year of Picasso Paintings, 1969. New York: Harry N. Abrams, 1971.
Lo que cante y dije de Picasso. Barcelona: Editorial Bruguera, 1981.
Picasso: Le rayon ininterrompu. Paris: Cercle d'Art, 1974.

Andreu, Pierre. Max Jacob. Paris: Wesmael-Charlier, 1962.

Apollinaire, Guillaume. Apollinaire on Art: Essays and Reviews, 1902—1918. New York: Viking, 1972.
Calligrammes: Poems of Peace and War, 1913—1916. Berkeley: University of California Press, 1980.
Chroniques d'Art, 1902—1918. Edited by L.C. Breunig. Paris: Gallimard, 1960.
The Cubist Painters: Aesthetic Meditations. New York: George Wittenbom, 1962. L'Œuvre du Marquis de Sade. Paris: Bibliothèque des Curieux, 1909.
Œuvres complètes de G. Apollinaire. Edited by P.M. Adema and M. Decaudin. 4 vols. Paris: Balland et Lecat, 1966.
Œuvres poétiques. Paris: Gallimard, 1965.
Les Peintres cubistes. Paris: Hermann, 1965.
The Poet Assassinated and Other Stories. San Francisco: North Point Press, 1984.
Le Poète assassiné. Paris: Au Sans Pareil, 1927.
Selected Writings of Guillaume Apollinaire. London: Harvill Press, 1950.

Aragon, Louis. Anicet ou le panorama, roman. Paris: Gallimard, 1972.
Aragon, Poet of the French Resistance. Edited by Hannah Josephson and Malcolm Cowley. New York: Duell, Sloan and Pearce, 1945.

Archer, W.G. The Loves of Krishna. London: Allen and Unwin, 1957.

Artcurial, Paris (May — July 1985). Les Noces Catalanes: Barcelone — Paris, 1870—1970. Introduction by Henri-François Rey.

Ashton, Dore, ed. Picasso on Art: A Selection of Views. New York: Viking, 1972.

Auric, Georges. Eluard, j'étais là. Paris: Bernard Grasset, 1979.

Axelos, Kostas. Systématique ouverte. Paris: Editions de Minuit, 1984.

Ayrton, Michael. Golden Sections. London: Methuen and Co., 1957.

Azema, Jean-Pierre. From Munich to the Liberation, 1938—1944. New York: Cambridge University Press, 1984.

Baker, William E. Jacques Prévert. New York: Twayne Publishing, 1967.

de Balzac, Honoré. Le Chef-d'Œuvre inconnu. Paris: Garnier-Flammarion, 1981.

Baron, Jacques. L'An I du surréalisme. Paris: Denoel, 1967.

Barr, Alfred H., Jr. Picasso: Forty Years of His Art. New York: The Museum of Modem Art, 1939.
Picasso: Fifty Years of His Art. New York: Amo Press, 1980.

Barrett, William. Irrational Man: A Study in Existential Philosophy. New York: Doubleday & Co., 1958.

Barzun, Jacques. The Energies of Art. New York: Harper & Brothers, 1956.

Bataille, Georges. Death and Sensuality: A Study of Eroticism and the Taboo. New York: Walker and Co., 1962.
Documents. Paris: Gallimard, 1968.
Visions of Excess: Selected Writings, 1927—1939. Minneapolis: University of Minnesota Press, 1985.

Beaton, Cecil. Self Portrait with Friends: The Selected Diaries of Cecil Beaton, 1926—1974. Edited by Richard Buckle. New York: Times Books, 1979.

de Beauvoir, Simone. La Force de l'âge. Paris: Gallimard, 1960.

Becker, Lucille F. Louis Aragon. New York: Twayne Publishers, 1971.

Bell, Clive. Civilization and Old Friends. Chicago: University of Chicago Press, 1973.
Since Cézanne. London: Chatto and Windus, 1922.

Benjamin, Roger. Matisse's «Notes of a Painter»: Criticism, Theory, and Context, 1891—1908. Ann Arbor: University of Michigan Research Press, 1987.

Berger, John. The Success and Failure of Picasso. New York: Pantheon, 1980.

Berlin, Isaiah. Against the Current: Essays in the History of Ideas. New York: Viking, 1980.

Besnard-Bemadac, Marie-Laure, Michele Richet, and Helene Seckel. The Picasso Museum, Paris. New York: Harry N. Abrams, 1986.

Besson, Georges. La Peinture française au XXe siècle. Paris: Braun & Cie., 1949.

Billy, André. Avec Apollinaire: Souvenirs inédits. Paris and Geneva: La Palatine, 1966.

Blunt, Anthony. Picasso's «Guernica». New York: Oxford University Press, 1969. and Phoebe Pool. Picasso: The Formative Years. Greenwich, Conn.: New York Graphie Society, 1962.

Boeck, Wilhelm, and Jaime Sabartés. Picasso. Paris: Flammarion, 1955.

Boix, Esther, and Richard Creus. El Siglo de Picasso. Barcelona: Aynthamiento de Barcelona, 1981.

Brassai. Picasso and Company. New York: Doubleday & Со., 1966.

Breker, Amo. Paris, Hitler et moi. Paris: Presses de la Cité, 1970.

Brenan, Gerald. The Spanish Labyrinth: An Account of the Social and Political Background of the Civil War. Cambridge: Cambridge University Press, 1950.

Breton, Andre. Anthologie de l'humour noir. Paris: Jean-Jacques Pauvert, 1966.
Nadja. Paris: Gallimard, 1928.
Point du jour. Paris: Gallimard, 1970.
Le Surréalisme et la peinture. New York: Brentano's, 1945.
What is Surrealism? Selected Writings. Edited by Franklin Rosemont. New York: Monad, 1978.

Brinnin, John Malcolm. The Third Rose: Gertrude Stein and Her World. Reading, Mass.: Addison-Wesley Publishing Co., 1987.

Broude, Norma, and Mary D. Garrard, eds. Feminism and Art History: Questioning the Litany. New York: Harper & Row, 1982.

Buckle, Richard. In the Wake of Diaghilev. New York: Holt, Rinehart & Winston, 1982.

Cabanne, Pierre. Pablo Picasso: His Life and Times. New York: William Morrow & Co., 1977.

Le Siècle de Picasso. 4 vols. Paris: Denoel, 1975.

Camus, Albert. Le Mythe de Sisyphe. Paris: Gallimard, 1942.

Cannavo, Richard. La Ballade de Charles Trenet. Paris: Robert Laffont, 1984.

Carandell, Jose Maria. Nueva guia secreta de Barcelona. Barcelona: Sedray Ediciones, 1978.

Carco, Francis. L'Ami des peintres. Geneva: Du Milieu du Monde, 1944.

Casanova, Laurent. Le Parti communiste, les intellectuels, et la nation. Paris: Editions Sociales, 1951.

Cassou, Jean. Picasso. Paris: Braun & Cie., 1940.

Une vie pour la liberté. Paris: Robert Laffont, 1981.

Centre Georges Pompidou, Paris (22 November 1984 — 28 January 1985).
Daniel-Henry Kahnweiler: Marchand, éditeur, écrivain.
(22 November 1984 — 28 January 1985). Donation Louise et Michel Leiris: Collection Kahnweiler-Leiris.
(4 November 1982 — 17 January 1983). Paul Eluard et ses amis peintres: 1895—1952.

Césaire, Aimé. Lost Body. Illustrated by Pablo Picasso. New York: George Braziller, 1986.

Charles-Roux, Edmonde. L'Irrégulière. Paris: Bernard Grasset, 1974.

Chevalier, Denys. Picasso: Epoques bleue et rose. Paris: Flammarion, 1978.

Cirici-Pellicer, Alexandre. Picasso avant Picasso. Geneva: Pierre Cailler, 1950.

Cirlot, Juan-Eduardo. Picasso: Birth of a Genius. New York: Praeger, 1972.

Cocteau, Jean. Correspondance avec Jean-Marie Magnan. Paris: Pierre Belfond, 1981.
Entre Picasso et Radiguet. Paris: Hermann, 1967.
Entretiens avec André Fraigneau. Paris: Union Generale d'Editions, 1965.
The Journals of Jean Cocteau. Edited by Wallace Fowlie. New York: Criterion Books, 1956.
La Machine infernale. Paris: Bernard Grasset, 1934.
Œdipe-Roi: Roméo et Juliette. Paris: Plon, 1928.
Le Passé défini. Paris: Gallimard, 1983.
Le Rappel à l'ordre. Paris: Librairie Stock, 1926.

Cooper, Douglas. Picasso and the Theatre. Paris: Cercle d Art, 1967.

Coquiot, Gustave. Cubistes, futuristes, passéistes. Paris: Librairie Ollendorff, 1923.

Couturier, Marie-Alain. Se garder libre. Paris: Editions du Cerf, 1962.
La Vérité blessée. Paris: Plon, 1984.

Crespelle, Jean-Paul. Picasso and His Women. New York: Coward-McCann, 1969.
Picasso: Les femmes, les amis, l'œuvre. Paris: Presses de la Cité, 1967.
La Vie quotidienne à Montmartre au temps de Picasso, 1900—1910. Paris: Hachette, 1978.

Crossman, Richard, ed. The God That Failed. Chicago: Regnery Gateway, 1983.

Daedalus, ed. Casagemas i el seu temps. Barcelona, 1979.

Daix, Pierre. Picasso Créateur: La vie intime et l'œuvre. Paris: Editions du Seuil, 1987.
La Vie de peintre de Pablo Picasso. Paris: Editions du Seuil, 1977.
and Georges Boudaille. Picasso, 1900—1906: Catalogue raisonné de l'œuvre peint. Paris: La Bibliothèque des Arts, 1966.

Dali, Salvador. Comment on devient Dali. Paris: Robert Laffont, 1973.

Dallas Museum of Art (11 September — 30 October 1983). Picasso the Printmaker: Graphics from the Marina Picasso Collection. Catalogue by Brigitte Baer. Danz, Louis. Personal Revolution and Picasso. New York and Toronto: Longmans, Green and Co., 1941.

Deharme, Lise. Les Années perdues. Paris: Plon, 1961.

Descargues, Pierre. Picasso. New York: Felicie, 1974.

Diehl, Gaston. Derain. New York: Crown Publishers, 1977.
Henri Matisse. Paris: Editions Pierre Tisne, 1958.
Picasso. New York: Crown Publishers, 1987.

Dominguin, Luis Miguel. Toros y Toreros. Paris: Cercle d'Art, 1961.

Dor de la Souchère, Romuald. Picasso in Antibes. New York: Pantheon, 1960.

Dorgelès, Roland. Bouquet de Bohème. Paris: Albin Michel, 1947.

Dubois, André-Louis. Sous le signe de l'amitié. Paris: Plon, 1972.

Dufour, Pierre. Picasso, 1950—1968. Geneva: Skira, 1969.

Duncan, David Douglas. Goodbye Picasso. New York: Grosset & Dunlap, 1974.
The Silent Studio. New York: Norton, 1976.
Viva Picasso: A Centennial Celebration, 1881—1981. New York: Viking, 1980.

Elgar, Frank, and Robert Maillard. Picasso. New York: Praeger, 1957.

Eluard, Paul. A Pablo Picasso. Geneva: Trois Collines, 1944.
Lettres à Gala, 1924—1948. Paris: Gallimard, 1984.
Pablo Picasso. New York: Philosophical Library, 1947.

Fairweather, Sally. Picasso's Concrete Sculptures. New York: Hudson Hills Press, 1982.

Fargue, Leon-Paul. Le Piéton de Paris. Paris: Gallimard, 1939.

Felman, Shoshana. Jacques Lacan and the Adventure of Insight: Psychoanalysis in Contemporary Culture. Cambridge: Harvard University Press, 1987.

Fermigier, André, ed. Picasso. Paris: Hachette, 1967.

Planner, Janet. Men and Monuments. New York: Harper & Brothers, 1947.

Fondation Pierre-Gianadda, Martigny (1981). Picasso: Estampes, 1904—1972. Catalogue by Andre Quenzi.

Foster, Joseph K., ed. Posters of Picasso. New York: Crown Publishers, 1957.

Fundacio Picasso-Reventós, ed. Homenatge de Catalunya a Picasso. Barcelona: Fundado, 1982.

Galerie Beyeler, Basel (November 1966 —January 1967). Picasso.

(February-April 1967). Picasso: Works from 1932 to 1965.

Galerie Louise Leiris, Paris (6 June — 13 July 1962). Picasso: Le Déjeuner sur l'herbe, 1960—1961.

Gallwitz, Klaus. Picasso: The Heroic Years. New York: Abbeville Press, 1985.

Galtier-Boissiere, Jean. Mon Journal depuis la libération. Paris: La Jeune Parque, 1945.

Garaudy, Roger. D'un réalisme sans rivages: Picasso, St. John Perse, Kafka. Paris: Plon, 1963.

Garcia Lorca, Federico. Deep Song and Other Prose. New York: New Directions, 1980.
Lament for the Death of a Bullfighter. London: William Heinemann, 1953.
Selected Letters. New York: Marion Boyars, 1984.

Gassman, Lydia. «Mystery, Magic and Love in Picasso, 1925—1938: Picasso and the Surrealist Poets». Ph.D. dissertation, Columbia University, 1981.

Gedo, Mary Mathews. Picasso: Art as Autobiography. Chicago: The University of Chicago Press, 1980.

Geiser, Bernard. Picasso: 55 Years of His Graphie Work. New York: Harry N. Abrams, 1955.

George, Waldemar. Pablo Picasso. Rome: Editions de Valori Plastici, 1924.

Georges-Michel, Michel. De Renoir à Picasso: Les peintres que j'ai connus. Paris: Artheme Fayard, 1954.

Gère, Charlotte. Marie Laurencin. Paris: Flammarion, 1977.

de Gibon, Yves. Témoignages d'un rendez-vous manqué. Paris: Paul Mari, 1980.

Gide, Andre. Journal. 2 vols. Paris: Gallimard, 1961.

Gilleminault, Gilbert, and Philippe Bemet. Les Princes des années folles. Paris: Plon, 1970.

Gilot, Françoise. An Artist's Journey. New York: Atlantic Monthly Press, 1987.
The Fugitive Eye: Poems and Drawings. San Diego: Aeolian Press, 1976.
Interface: The Painter and the Mask. Fresno: California State University, 1983.
Paloma Sphinx. Paris: Françoise Gilot, 1975.
and Carlton Lake. Life with Picasso. New York: McGraw-Hill, 1964.

Gimpel, René. Journal d'un collectionneur, marchand de tableaux. Paris: Calmann-Levy, 1963.

Giraudy, Danièle. Picasso: La mémoire du regard. Paris: Cercle d'Art, 1986. Gleizes, Albert. Puissance du cubisme. Paris: Presence, 1969.

Goethe, J. W. Faust. Basel: Zbinden, 1982.

Gold, Arthur, and Robert Fizdale. Misia: The Life of Misia Sert. New York: Alfred A. Knopf, 1980.

Grand Palais, Paris (22 February — 15 April 1985). Edouard Pignon. Paris: Centre National des Arts Plastiques, 1985.

(11 October — 7 January 1980). Picasso: Oeuvres reçues en paiement des droits de succession.

Grand Palais-Petit Palais, Paris (November 1966 — February 1967). Hommage à Pablo Picasso.

Grohmann, Will. Paul Klee. London: Lund Humphries, 1954.

Habasque, Guy. Le Cubisme. Geneva: Skira, 1959.

Haessly, Gaile Ann. «Picasso on Androgyny: From Symbolism through Surrealism». Ph.D. dissertation, Syracuse University, 1983.

Haggard, Virginia. My Life with Chagall. New York: D.I. Fine, 1986.

Hanoteau, Guillaume. Ces Nuits qui ont fait Paris. Paris: Arthème Fayard, 1971.

Hemingway, Ernest. The Dangerous Summer. New York: Charles Scribner's Sons, 1985.

Hilton, Timothy. Picasso. London: Oxford University Press, 1975.

Hirschi & Adler Galleries, New York (16 January — 27 February 1988).
Picasso: The Late Drawings. Essay by Jeffrey Hoffeld. New York: Harry N. Abrams, 1988.

Hong Kong Museum of Art (12 December 1982 — 19 January 1983). Picasso In Time: Collection Maya Ruiz-Picasso: The Centennary of the Birth of Picasso. Hong Kong: Urban Council, 1982.

Horodisch, Abraham. Picasso as a Book Artist. Cleveland: World Publishing Co., 1962.

Hugo, Jean. Avant d'oublier, 1918—1931. Paris: Artheme Fayard, 1976.

Institute of Contemporary Arts. Homage to Picasso on his 70th Birthday: Drawings and Watercolours since 1893. London: Lund Humphries, 1951.

Jacob, Max. Choix de lettres de Max Jacob à Jean Cocteau, 1919—1944. Paris: Paul Morihien, 1949.
Chronique des temps héroiques. Paris: Louis Broder, 1956.
Correspondance. Edited by François Garnier. 2 vols. Paris: Editions de Paris, 1953.
Lettres, 1920—1941. Edited by S.J. Collier. Oxford: Basil Blackwell, 1966.
Lettres à Marcel Béalu. Lyon: Editions Emmanuel Vitte, 1959.
Lettres à Marcel Jouhandeau. Edited by Anne S. Kimball. Geneva: Librairie Droz, 1979.
Lettres à Michel Levanti. Edited by Lawrence A Joseph. Limoges: Rougerie, 1975.
Lettres à Michel Manoll. Edited by Maria Green. Mortemart: Rougerie, 1985.
Lettres mystiques, 1934—1944, à Clotilde Bauguion. Paris: Calligrammes, 1984. Morceaux choisis. Paris: Gallimard, 1936.

James, Henry. The Ambassadors. New York: Heritage Press, 1963.

Janis, Harriet and Sidney. Picasso: The Recent Years, 1939—1946. New York: Doubleday & Со., 1946.

Jarry, Alfred. Gestes et opinions du Docteur Faustroll. Paris: Bibliothèque Charpentier, 1911.
Œuvres complètes. 8 vols. Paris: Gallimard, 1972.
The Supermale. New York: New Directions, 1964.

Johnson, Paul. Modern Times: The World from the Twenties to the Eighties. New York: Harper & Row, 1983.

Jonson, Ben. The Complete Poetry of Ben Jonson. Edited by William B. Hunter. New York: New York University Press, 1963.

Josephson, Matthew. Life among the Surrealists. New York: Holt, Rinehart & Winston, 1962.

Jouffroy, Jean-Pierre, and Edouard Ruiz. Picasso: De l'image à la lettre. Paris: Messidor/Temps Actuels, 1981.

Jung, C.G. The Collected Works of C.G. Jung. Bollingen Series, edited by William McGuire, vol. 15. Princeton: Princeton University Press, 1966.

Kahnweiler, Daniel-Henry. Confessions esthétiques. Paris: Gallimard, 1963.
The Rise of Cubism. New York: Wittenbom, Schultz, 1949.
and Francis Crémieux. My Galleries and Painters. New York: Viking, 1961.

Kamber, Gerald. Max Jacob and the Poetics of Cubism. Baltimore: Johns Hopkins University Press, 1971.

Kay, Helen. Picasso's World of Children. New York: Doubleday & Co., 1965.

Kiki. The Education of a French Model. New York: Bridgehead Books, 1954.

Kootz, Sam. «The Reality Gap: Picasso». Неопубликованные мемуары из собрания миссис Сэм Кутц.

Krasovskaya, Vera. Nijinsky. New York: Schirmer Books, 1979.

Lacan, Jacques. The Four Fundamental Concepts of Psychoanalysis. New York: Norton, 1978.

Laffranchle, Jean. Louis Marcoussis. Paris: Editions du Temps, 1961.

Langston, Linda Frank «Disguised Double Portraits in Picasso's Work, 1925—1961». Ph.D. dissertation, Stanford University, 1977.

Laporte, Genevieve. Si tard le soir, le soleil brille. Paris: Plon, 1973.
Sunshine at Midnight: Memories of Picasso and Cocteau. London: Weidenfeld and Nicolson, 1975.

de Lautréamont, Comte (Isidore Ducasse). Chants de Maldoror. London: Allison and Busey, 1970.

Léautaud, Paul. Journal littéraire. Vol. 16. Paris: Mercure de France, 1964.

Lee, Thomas Louis. «The Passion and Picasso». Master's thesis, University of Louisville, 1969.

Leighten, Patricia Dee. «Picasso: Anarchism and Art, 1897—1914». Ph.D. dissertation, Rutgers University, 1983.

Leiris, Michel. Manhood: A Journey from Childhood into the Fierce Order of Virility. San Francisco: North Point Press, 1984.
La Règle du jeu. Vol. 3, Fibrilles. Paris: Gallimard, 1966.
La Règle du jeu. Vol. 4, Frêle Bruit. Paris: Gallimard, 1976.

Lemaire, Anika. Jacques Lacan. Brussels: Pierre Mardaga, 1977.

Leymarie, Jean. Picasso: The Artist of the Century. New York: Viking, 1972.
Picasso: Blue and Rose Periods. New York: Harry N. Abrams, 1954.

Lippard, Lucy R, ed. Dadas on Art. Englewood Cliffs, N.J.: Prentice-Hall, 1971.
Surrealists on Art. Englewood Cliffs, N.J.: Prentice-Hall, 1970.

Lipton, Eunice. «Picasso Criticism, 1901—1939: The Making of an Artist-Hero». Ph.D. dissertation, New York University, 1975.

Loeb, Pierre. Voyages à travers la peinture. Paris: Bordas, 1946.

Lord, James. Giacometti. New York: Farrar, Straus & Giroux, 1985.
Où étaient les tableaux... Paris: Mazarine, 1982.

Los Angeles County Museum of Art. The Spiritual in Art: Abstract Painting, 1890—1985. New York: Abbeville Press, 1986.

Lottman, Herbert R The Purge. New York: William Morrow & Co., 1986.
La Rive gauche. Paris: Editions du Seuil, 1981.

Mackworth, Cecily. Guillaume Apollinaire and the Cubist Life. London: J. Murray, 1961.

Mac Orlan, Pierre. La Vénus internationale. Paris: Gallimard Polio, 1966.

Malraux, Andre. Picasso's Mask. New York: Holt, Rinehart & Winston, 1976.
La Tête d'obsidienne. Paris: Gallimard, 1974.

Marais, Jean. Histoires de la vie. Paris: Albin Michel, 1975.

Maritain, Jacques. Creative Intuition in Art and Poetry. New York: Meridian Books, 1955.

Marlborough Fine Arts Gallery, London (May-June 1955). Picasso: 63 Drawings, 1953—54; 10 Bronzes, 1945—53. Introduction by Rebecca West.

Marx, Karl, and Frederick Engels. Collected Works. Vol. 5 (1845—47). London: Lawrence & Wishart, 1976.

Matisse, Henri. Ecrits et propos sur l'Art. Paris: Hermann, 1972.
Matisse on Art. Edited by Jack D. Flam. New York: E.P. Dutton, 1978.

Mauriac, Francois. Bloc Notes. 5 vols. Paris: Flammarion, 1958—1971.

Mayer, Susan. «Ancient Mediterranean Sources in the Works of Picasso, 1892—1937». Ph.D. dissertation, New York University, 1980.

McCully, Marilyn, ed. A Picasso Anthology: Documents, Criticism, Reminiscences. Princeton: Princeton University Press, 1982.

McKnight, Gerald. Bitter Legacy: Picasso's Disputed Millions. London: Bantam Press, 1987.

Mellow, James R Charmed Circle: Gertrude Stein and Company. New York: Praeger, 1974.

Melville, Herman. Pierre, or the Ambiguities. New York: New American Library, 1964.

Melville, Robert. Picasso: Master of the Phantom. London: Oxford University Press, 1939.

The Metropolitan Museum of Art, New York (7 March — 12 May 1985). Picasso Linoleum Cuts: The Mr. and Mrs. Charles Kramer Collection in the Metropolitan Museum of Art. New York: Random House, 1985.

Minotaure. 4 vols. Reprint. New York: Amo Press, 1968.

Montreal Museum of Fine Arts (22 June — 10 November 1985). Pablo Picasso: Meeting in Montreal.

Mourlot, Fernand. Picasso Lithographs. Boston: Boston Book and Art, 1970.

Mugnier, L'Abbé Arthur. Journal de l'Abbé Mugnier. Paris: Mercure de France, 1985.

Murdoch, Iris. The Fire and the Sun: Why Plato Banished the Artists. Oxford: Clarendon Press, 1977.

Musée Cantini, Marseille (11 May — 31 July 1959). Picasso. Catalogue by Douglas Cooper.

Museo Rufino Tamayo, Mexico City (November 1982 —January 1983). Los Picassos de Picasso en México: Una Exposición Retrospectiva. Introduction by William S. Lieberman.

Museum Het Kruithuis, Hertogenbosch (22 June — 11 August 1985). Picasso Ceramics.

The Museum of Modern Art, New York (22 May — 16 September 1980). Pablo Picasso: A Retrospective. Catalogue by William Rubin.
(3 February — 2 April 1972). Picasso in the Collection of the Museum of Modem Art. Catalogue by William Rubin, Elaine L. Johnson, and Riva Castleman.
«Primitivism» in 20th Century Art: Affinity of the Tribal and the Modem. 2 vols. Edited by William Rubin. Boston: New York Graphic Society Books-Little, Brown & Co., 1984.
(24 January — 19 March 1950). The Sculptors Studio: Etchings by Picasso. New York: The Museum of Modem Art, 1952.

National Gallery of Art, Washington, D.C. (2 November 1986 — 29 March 1987). Henri Matisse: The Early Years in Nice, 1916—1930. Catalogue by Jack Cowart and Dominique Fourcade. New York: Harry N. Abrams, 1986.

Neruda, Pablo. Memoirs. New York: Farrar, Straus & Giroux, 1976.

Nietzsche, Friedrich. Thus Spoke Zarathustra. New York: Penguin Books, 1978.

Nijinsky, Vaslav. The Diary of Vaslav Nijinsky. Edited by Romola Nijinsky. New York: Simon and Schuster, 1936.

Nochlin, Linda. Impressionism and Post-Impressionism, 1874—1904: Sources and Documents. Englewood Cliffs, N.J.: Prentice-Hall, 1966.

O'Brian, Patrick. Picasso: Pablo Ruiz Picasso. New York: G.P. Putnam's Sons, 1976.

Odajmyk, Volodymyr Walter. Jung and Politics. New York: New York University Press, 1976.

Olano, Antonio O. Picasso intimo. Madrid: Editorial Dagur, 1971.

Olivier, Fernande. Picasso and His Friends. New York: Appleton-Century, 1965. Picasso et ses amis. Paris: Librairie Stock, 1933.

Ory, Pascal. Les Collaborateurs, 1940—1945. Paris: Editions du Seuil, 1976.

Otero, Roberto. Forever Picasso: An Intimate Look at His Last Years. New York: Harry N. Abrams, 1974.

Otto, Walter F. Dionysus: Myth and Cult. Dallas: Spring Publications, 1981.

Oxenhandler, Neal. Max Jacob and Les Feux de Paris. Berkeley: University of California Press, 1964.

Ozenfant, Amédée, and Charles Jeanneret. La Peinture moderne. Paris: G. Cres et Cié., 1927.

The Pace Gallery, New York (2 May — 1 August 1986). /e Suis le Cahier: The Sketchbooks of Picasso. Edited by Arnold Glimcher and Marc Glimcher. New York: Atlantic Monthly Press, 1986.
(30 January — 14 March 1981). Picasso: The Avignon Paintings.

Padita, Jin. Picasso: The Early Years. New York: Tudor, 1960.

Palau i Fabre, Josep. Picasso en Catalunya. Barcelona: Poligrafa, 1966.
Picasso: The Early Years, 1881—1907. New York: Rizzoli, 1981.
Picasso vivent, 1881—1907. Barcelona: Poligrafa, 1979.
El Secret de «Las Meninas» de Picasso. Barcelona: Poligrafa, 1981.

Parmelin, Hélène. Aujourd'hui. Paris: Rene Julliard, 1963.
Picasso: Intimate Secrets of a Studio at Notre Dame de Vie. New York: Harry N. Abrams, 1966.
Picasso Plain. New York: St. Martin's Press, 1963.
Picasso Says. South Brunswick, N.J.: Barnes and Co., 1969.
Picasso: «The Artist and His Model», and Other Recent Works. New York: Harry N. Abrams, 1965.
Picasso: Women, Cannes, and Mougins, 1954—63. London: Weidenfeld and Nicolson, 1965.
Voyage en Picasso. Paris: Robert Laffont-Opera Mundi, 1980.

Penrose, Roland. Picasso: His Life and Work. Berkeley: University of California Press, 1981.
Portrait of Picasso. London: Thames and Hudson, 1981.
Scrap Book, 1900—1981. New York: Rizzoli, 1981.
and John Golding, eds. Picasso in Retrospect. London: Granada, 1973.

Peyre, Andre. Max Jacob quotidien. Paris: Jose Millas-Martin, 1976.

Picasso e a Corunna. Conoce a tua Cidade, no. 1. Corunna: Axuncamento da Corunna, 1982.

Picasso, Pablo. The Artist by Himself: Self-Portrait from Youth to Old Age. New York: St. Martin's Press, 1980.
Carnet Catalan. Introduction by Douglas Cooper. Paris: Berggruen, 1958.
Le Carnet des carnets. Paris: Les Ateliers de Daniel Jacomet, 1965.
Carnet Picasso La Corunna, 1894—1895. Introduction by Juan Ainaud de Lasarte. Barcelona: Gustavo Gili, 1971.
Carnet Picasso Madrid, 1898. Introduction by Xavier de Salas. Barcelona: Gustavo Gili, 1976.
Carnet Picasso Paris, 1900. Introduction by Roa M. Subirana. Barcelona: Gustavo Gili, 1972.

Le Désir attrapé par la queue. Paris: Gallimard, 1945.
Desire Caught by the Tail. London: Calder and Boyars, 1970.
Drawings. New York: Harry N. Abrams, 1959.
Forty-nine Lithographs, Together with Honoré de Balzac's The Hidden Masterpiece, in the Form of an Allegory. New York: Lear, 1947.
The Four Little Girls. London: Calder and Boyars, 1970.
Gongora. New York: George Braziller, 1985.
Œuvres. 33 vols. Ed. by Christian Zervos. Paris: Cahiers d'Art, 1932—1978. Picasso's Vollard Suite. Introduction by Hans Bolliger. New York: Thames and Hudson, 1985.
Les Quatre Petites Filles. Paris: Gallimard, 1968.

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Cocteau. Boston: Little, Brown & Co., 1970.

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Публикации в периодике

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Brassai. «The Master at 90: Picasso's Great Age Seems Only to Stir Up Demons Within». The New York Times Magazine, 24 October 1971.

«Picasso aura cent ans dans dix ans». Le Figaro, 8 October 1971.

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«Le Surréalisme et la peinture». La Revolution Surréaliste, 15 July 1925.

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Cassou, Jean. «Le Rideau de Parade de Picasso au Musee d'Art Moderne». La Revue des Arts, January-February 1957.

Chalon, Jean. «Françoise Gilot passe du murmure au cri». Le Figaro, 18 May 1963.

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Dadaule, Jacques. «Les Colombes». Europe, nos. 492—93 (April-May 1970).

Daix, Pierre. «Picasso et la morale.» Les Lettres Françaises, 17 June 1965.

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Dupont, Pepita. «Quand la vie se fait trop noire». Paris-Match, 31 October 1986.

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Fagus, Félicien. «L'Invasion espagnole: Picasso». La Revue Blanche, 15 July 1901.

Farrell, Barry. «His Women: The Wonder Is That He Found So Much Time to Paint». Life, 27 December 1968.

Fermigier, André. «La Prodigieuse Aventure de Picasso». Le Nouvel Observateur, no. 10 (16 November 1966).

Fifield, William. «Pablo Picasso—A Composite Interview». The Paris Review, vol. 8, no. 32 (Summer-Fall 1964).

F.K. «Picasso devant la caméra». Jardin des Arts, no. 15 (January 1956).

Fournier, Albert. «Ateliers et demeures de Picasso». Europe, nos. 492—93 (April-May 1970).

Gagnebin, Murielle. «Erotique de Picasso». Esprit, January 1982.

«Picasso, iconoclaste». LArc, no. 82 (1981).

Gaillard, P. «Pourquoi j'ai adhéré au Parti Communiste». L'Humanité, 29—30 October 1944.

Gay, Paul. «Lettre à une amie». Le Point, vol. 7, no. 42 (October 1952).

George, Waldemar. «Les Cinquante Ans de Picasso et la mort de la nature-morte». Formes, April 1931.
«L'Exposition Picasso». L'Amour de L'Art, vol. 7 (1926).
«Fair Play: The Passion of Picasso». Formes, April 1930.
«Grandeur et décadence de Pablo Picasso». L'Art Vivant, no. 135 (August 1930).
«Picasso et la crise actuelle de la conscience artistique». Chronique du Jour, no. 2 (June 1929).
«The Picasso Exhibition». Formes, May 1932.
«Picasso par Maurice Raynal». L'Amour de l'Art, vol. 2 (1921).

Gilot, Françoise. «Henri Matisse at Peace». Art and Antiques, October 1986. «Mano à Mano». Art and Antiques, October 1985.

Gomez de la Serna, Ramon. «Le Toréador de la peinture». Cahiers dArt, nos. 3—5,1932.

González, Julio. «Picasso Sculpteur». Cahiers dArt, nos. 6—7, 1936.

Gosling, Nigel. «Picasso: The Greatest?» Observer Review, 15 April 1973.

Granville, Pierre. «Marcoussis, poète du cubisme». La Galerie des Arts, no. 18 (July-September 1964).

Henderson, Linda D. «A New Facet of Cubism: The ‘Fourth Dimension' and Non-Euclidean Geometry Reinterpreted». The Art Quarterly, vol. 34 (Winter 1971).

Henry, Hélène. «Max Jacob et Picasso: Jalons chronologiques pour une amitié: 1901—44». Europe, nos. 492—93 (April-May 1970).

Jacob, Max «Souvenirs sur Picasso contes par Maxjacob». Cahiers dArt, no. 6, 1927.

«Jacqueline et Pablo les mariés de l'au-delà». Paris-Match, 31 October 1986.

Jahan, Pierre. «Ma Première Rencontre avec Picasso». Gazette des Beaux Arts, October 1973.

Johnson, Ron. «The Demoiselles d'Avignon and Dionysian Destruction». Arts Magazine, vol. 55, no. 2 (October 1980).
«Picasso's Demoiselles d'Avignon and the Theatre of the Absurd». Arts Magazine, vol. 55, no. 2 (October 1980).

Junoy, Josep. «L'Art d'en Picasso». Veil i Nou, vol. 3, no. 46 (l June 1917).

Kahnweiler, Daniel-Henry. «Entretiens avec Picasso». Quadrum, November 1956. «Entretiens avec Picasso au sujet des Femmes d'Alger». Aujourd'hui, no. 4 (September 1955).
«Huit Entretiens avec Picasso». Le Point, vol. 7, no. 42 (October 1952).
«Le Sujet chez Picasso». Verve, vol. 7, nos. 25—26 (1951).

Kauffman, Ruth. «Picasso's Crucifixion of 1930». Burlington Magazine, vol. 3 (September 1969).

Klady, Leonard. «Return of the Centaur». Film Comment, vol. 22, 110.2 (March-April 1986).

Lacroix, Jean-Paul. «Picasso: Ni Barbe-Bleue ni saint de vitrail». L'Intransigeant, 24 June 1965.

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Lefevre, Frederic. «Une heure avec M. Jean Cocteau». Nouvelles Littératures, 24 March 1923.

Leiris, Michel. «Faire-part». Cahiers d'Art, nos. 4—5,1937.

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Lieberman, William S. «Picasso and the Ballet, 1917—1945». Dance Index, vol. 5, nos. 11—12 (November-December 1946).

Lord, James. «Giacometti and Picasso: Chronicle of a Friendship». The New Criterion, June 1983.

Mac Orlan, Pierre. «Rencontre avec Picasso», Annales Politiques et Littéraires, 15 July 1929.

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Marion, Sylvie. «Pour ses 80 ans Picasso m'a dit». France-Soir, 19 October 1961.

Mellow, James R. «Picasso's Working Autobiography». Art News, vol. 85 (Summer 1986).

Milhau, Denis. «Picasso, la réalité et le théâtre». Europe, nos. 492—93 (April-May 1970).

Misfeldt, Willard E. «The Theme of the Cock in Picasso's Oeuvre.» Art Journal, vol. 28, no. 2 (Winter 1968—69).

Morice, Charles. «Exposition de MM. Picasso, Launay, Pichot et Girieud». Mercure de France, vol. 45, no. 156 (October-December 1902).

Moussinac, Leon. «Tous les Arts». Les Lettres Françaises, 25 November 1948.

Murry, John Middleton. «The Art of Pablo Picasso». The New Age, vol. 10, no. 5 (30 November 1911).

Newhouse, John. «An Air of Mystery». New Yorker, 30 December 1985.

Nietzsche, Friedrich. «I Myself Am Fate». The London Times Literary Supplement, 2 March 1973.

Parrot, Louis. «Hommage à Pablo Picasso». Les Lettres Françaises, September 1944. «Picasso au Salon». Les Lettres Françaises, October 1944.

Peignot, Jérome. «Les Premiers Picassos de Gertrude Stein». Connaissance des Arts, no. 213 (November 1969).

Penrose, Roland, and Timothy Hilton. «Miró». Art Monthly, no. 68 (July-August 1983).

Peris, Frank. «The Last Time I saw Pablo». Art News, vol. 73 (April 1974).

Pernod, Pierre-Arnold. «Le Chef-d'Œuvre inconnu». Europe, nos. 492—93 (April-May 1970).
«Picasso 1964, enquête». Jardin des Arts, no. 112 (March 1964).

Picasso, Pablo. «Lettre sur l'Art». Formes, February 1930.
«Pourquoi je suis Communiste», L'Humanité, 29—30 October 1944.

«Picasso change de modèle». Radar, 12 December 1953.

Pierre-Quint, Léon. «Doute et révélation dans l'oeuvre de Picasso». Documents, no. 3 (1930).

Pignon, Edouard. «Chez Picasso». Le Point, vol. 7, no. 42 (October 1952). Piscopo, Ugo. «Un Taureau est un taureau». Europe, nos. 492—93 (April-May 1971). Prejger, Lionel. «Picasso découpe le feu». L'Oeil, no. 82 (October 1961). «Propos sur l'Art». Le Monde, 13 April 1973.

Pudney, John. «Picasso — A Glimpse in Sunlight». The New Statesman and Nation, 16 September 1944.

«Quarante Peintres déclarent: Françoise Gilot a trahi Picasso». Arts, no. 1003 (28 April 1965).

Radcliff, Carter. «Art: Setting the Stage». Architectural Digest, May 1984.

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«The Contents of Picasso's Art». Verve, vol. 7, nos. 25—26 (1951).

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Reverdy, Pierre. «Solidarity of the Genius and the Dwarf». Art News Annual, no. 25 (1957).
«Un Œil de lumière et de nuit». Le Point, vol. 7, no. 42 (October 1952).

«The Revolutionary Artists». The Craftsman, vol. 20, no. 2 (May 1911).

Richardson, John. «The Catch in the Late Picasso». The New York Review of Books, 19 July 1964.
«Picasso's Secret Love». House and Garden, October 1987.
«Trompe l'Œil». The New York Review of Books, 3 December 1964.
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«Your Show of Shows». The New York Review of Books, 17 July 1980.

Sabartes, Jaime. «Couleur de Picasso: Peintures et dessins de Picasso». Verve, vol. 5, nos. 19—20 (1948).
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Seckler, Jerome. «Picasso Explains». New Masses, 13 March 1945.

«Shafts from Apollo's Bow: A Blast from the North». Apollo, October 1947.

Sollers, Philippe. «De la virilité considérée comme un des beaux-arts». Arf Press, Summer 1981.

Taylor, Brandon, Douglas Cooper, and Gary Tinterow. «The Essential Cubism». Art Monthly, June 1983.

«Testimony against Gertrude Stein». Transition, no. 23 (February 1935).

Tilman, Pierre. «Le Style c'est une infirmité». Opus International, no. 81 (Summer 1981).

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Tzara, Tristan. «Picasso et la peinture de circonstance». Le Point, vol. 7, no. 42 (October 1952).

Vallier, Dora. «Braque, la peinture et nous». Cahiers d'Art, no. 1,1954.

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de Zayas, Marius. «Picasso Speaks». The Arts, vol. 3, no. 5 (May 1923).

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«Les Dernières Œuvres de Picasso». Cahiers d'Art, no. 6, 1927.
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